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Low-pitched roofs, deep terraces, and titanic, unscreened sleeping porches dominate the exterior of the house. The street view is especially striking for the monumentally deep eaves that shelter the northeast porch, which visually expands the boundaries and overall form of the house well beyond the confines of its shingled walls. In the early years of the twentieth century, sleeping porches were popular and national periodicals promoted them to health seekers and the culturally alert, many of whom came to Pasadena for the winter season. Nowhere did these porches proclaim more boldly the promise of outdoor life than in the Gambles’ winter residence. Using Douglas fir posts and beams, redwood split shakes, local river stones, clinker brinks, and a creeping fig vine that literally and figuratively roots the house to its site, the Greenes skillfully choreographed a seamless integration of house and landscape.
Gardens & Gables: Exploring the Gamble House Outdoors
The design details throughout are clearly influenced by Japanese architecture, which they first became enamored with during a cross country trip. While making their way from Ohio to Pasadena, they first experienced it when they stopped by the World’s Columbian Exhibition in Chicago—also known as the Chicago World’s Fair—and visited the Ho-o-den Japanese Pavilion. The house is filled with repeated motifs that are regularly found in traditional Japanese design.
The Gamble House and the Architecture of Greene and Greene
It also consisted of a spacious sitting room, which was decorated with five rugs that were designed by Charles Greene using watercolor. Across from the fireplace, there is a window that leads to the terrace, which overlooks the garden. The expansive window was designed to let light brighten the room during the late afternoon. At the far end of the room lie bookcases, a small games table, and a piano to offer entertainment and leisure. The piano was designed by the Greenes to blend into the paneling of the room.
Gamble House
Henry nominally carried on the joint practice in Pasadena until 1922, when it was formally dissolved. Critical acclaim for their work did not come again until after World War II, when it was almost too late for the brothers to enjoy it—Henry died in 1954, and Charles followed in 1957. In a 1950 issue of House Beautiful, Elizabeth Gordon and Jean Murray Bangs resurrected the Greenes’ work as a vital link between the decorative excesses of Victorianism and the clean expressions of American Modernism.
Give a taste of the California Dream
It features a progression of styles from Queen Anne and American Foursquare in the 1880s to American Craftsmen and Prairie style homes only 10 years later. At this time, the house passed to the eldest son, Cecil Gamble, and his wife, Louise, who temporarily tried to sell the dwelling in 1945. Efforts to build a high-rise on the Gamble House site came to a head in 1965. To avoid this, a cousin of the Gamble heirs--James Gamble--spearheaded the family effort to preserve the mansion. In 1966, the Gamble Family made an agreement with the City of Pasadena, CA, and the University of Southern California (USC) to maintain the house, and its furnishings, in perpetuity. The living room was designed without any entry doors so that the room would be as open and inviting as possible.
ARTS & CULTURE
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Dougong, one of the many building techniques on display at the expositions, is a building practice of interlocking wooden beams, showing exposed joinery which when painted, acted as ornament. Dougong also has the practical application of protection from earthquakes, as the elasticity of multiple dougong has the ability to withstand seismic forces. These wooden brackets, often seen on the edges of roofing, are responsible for giving traditional Japanese buildings their signature look. In 1905 the Greenes began an association with Peter Hall as the primary contractor for their major commissions, and from 1907 with his brother John Hall, who ran a millwork shop producing their decorative arts and furniture designs. In 1893 their parents requested that the sons move to Pasadena, where they had moved a year before. The brothers agreed and, while traveling by train from Boston, they stopped at the World's Columbian Exposition in Chicago and saw a few examples of Japanese architecture.
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The house's design reflected the Gambles' love of nature as flowers and trees were brought to the interior—creating pictures in wood, metal, art glass, and semi-precious stone. The building itself appears enmeshed with the landscape, achieved by a blend of man-made materials such as brick and rough dash-coat stucco and natural materials such as granite river stones and creeping fig that grows up onto the foundations of the terrace and steps. As teenagers, the brothers studied at the Manual Training School of Washington University in St. Louis, where they studied metal- and woodworking and graduated in 1887–1888. Their father, a practicing homeopathic physician by this time, was very concerned with the need for sunlight and circulating fresh air; the importance of these elements was to become one of the signatures of the brothers' work. Charles and Henry each received a "certificate for completion of partial course", a special two-year program at MIT's School of Architecture, in 1891.
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Driving around Pasadena, with its idyllic tree-lined streets and clusters of historic craftsman homes, it’s hard not to... Celebrating a diverse mix of art, architecture and history of the Arroyo Seco area, MOTA Day features five unique... The Gamble House has developed a special one-hour tour of the house’s grounds and exterior. Your guide will lead an exploration of the house’s context and history throughout the gardens and terraces.
Exterior and gardens
Preservationists had originally finished the exterior eaves with a type of soap stain, which ended up wearing off over the years. To protect the exposed structure, they started to apply a preservative, which ended up oxidizing and turned the exterior green and some of the wood black. When a team revisited the project to try and achieve its original colors, they removed the old preservative and replaced the original screens with ones made of copper. They also had to manually remove a toxic epoxy that had filled the wood in the past.
He was known as much for his ability to ride horses as his tendency to discourse about hunting grizzlies. Born in a simple, single-story, U-shaped courtyard adobe built at the beginning of the Mexican era by his father, Bandini requested just such a house in 1903 from the Greenes. They designed broad, gently sloping rooflines and protruding rafters that cast lovely shadows in the land of sunshine. And they developed an architectural vocabulary that celebrated the exoticness of the edge of a nation facing west toward Asia.
Built or under construction by 1906, this cluster of a half-dozen houses forms an inspired walking tour, almost color-coded by a patterned brick sidewalk and retaining walls spotted with Arroyo boulders. In Pasadena, where citizens dote on their rich architectural heritage in general, and on the Greenes in particular, this enclave has been called Little Switzerland, for the inspiration some of the houses take from the Swiss chalet. Together the houses form a stylistic biography of the firm, and a succinct statement about California's early contribution to national architecture. The handful of elaborate houses that the Greene brothers built in Pasadena from 1904 to 1911 feature broad, overhanging eaves, prominent sleeping porches, and a frank utilization of wooden members (“sticks”) for exterior decorative effect. The bungalow style that was developed by Greene and Greene soon influenced the design of countless smaller bungalows.
Pasadena’s sprawling Craftsman masterpiece, the Gamble House, has been called one of the 10 homes that changed America. Coming from a middle class background, the Greenes understood firsthand what was required to run a household. As such, they made sure the kitchen was an open and ventilated area that included an island like those found in most modern-day kitchens. No tiffany lamps and mahogany here, just the more practical maple and sugar pine surfaces for chopping. Personalize your stream and start following your favorite authors, offices and users.
The Greene brothers took these key pieces into consideration when designing the house, and they still exist there today. This dining space reveals a smooth, velvety glow that permeates the space, which is created by a lack of direct lighting. It all began when David and Mary Gamble of the Proctor and Gamble family packed up their belongings and moved from Ohio to sunny California in 1893. At the time, many families from booming cities in the Midwest and on the East Coast were migrating to California in the hopes of a cleaner, warmer, healthier lifestyle. Many of them settled in Southern California and a large group set up camp in Pasadena. Johnson faces backlash from hard-right members of his party after he joined Democrats on Saturday to pass a critical foreign aid package that included $60.8 billion of aid for Ukraine.
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